It was always Stephen Wessel’s ambition to offer an instrument of the highest expressive potential coupled with physical beauty and mechanical reliability. Working originally alongside the silversmith and head joint maker John Webb, Stephen gradually refined the design over 40 years and in the process overturning some traditional features in favour of innovation, improvement, aesthetics and design. The goal was a modern version of the Louis Lot renowned for their resonance and beautiful uniquely colourful sound.

Many celebrated players have enjoyed owning and performing on these flutes for a long time at the highest level and it is with great pride that we continue production of these outstanding instruments.

The construction of each flute harnesses the most advanced state of the art techniques in keywork manufacture available today. This warrants precision, consistency and reliability of the highest standard, second to none.

The marine grade stainless steel mechanism used on our flutes provides a strong lightweight alternative to traditional non-ferrous metals. Hardened rods and point screws offer a high degree of wear resistance. The use of steel mechanism on a silver tube is unique and allows the flute greater acoustic flexibility and response. The black cast key inlays add further lightness, a distinctive appearance and secure touch to a finely balanced and positive action.

Our silver tubes are the heart of the instrument and are entirely handmade to help create the responsive and resonant tone quality for which Wessel flutes are renowned. Pairing the Wessel flute body with your preferred head joint gives you the player total control and allows you to discover your ultimate musical voice.

Lovingly handmade by our small team of highly skilled craftswomen/men we are ensuring that production of these wonderful instruments will continue for many years to come.